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Broj rezultata: 3

1
ISSN:1330-7665
Naslov:Filmografija Nikole Tanhofera 1947.-1981.
Matična publikacija:Hrvatski filmski ljetopis = The Croatian cinema chronicle / [Hrvoje Turković (glavni urednik)]. - god. 4 (1998), br. 16; str. 27-28
Impresum:Zagreb : Hrvatski društvo filmskih kritičara : Hrvatski državni arhiv - Hrvatska kinoteka : Hrvatski filmski savez (izvršni nakladnik)
Napomena:Tematski blok: Nikola Tanhofer (1926.-1998.)
Ključne riječi:Tanhofer, Nikola - filmografija
UDK:791(497.5)"1947/1981" Tanhofer, N.
Vrsta građe:Članak
Knjižnica:Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna
MFN:6713
2
ISSN:1330-7665
Autor:Tanhofer, Nikola
Naslov:Profesija - ratni snimatelj
Matična publikacija:Hrvatski filmski ljetopis = The Croatian cinema chronicle / [Hrvoje Turković (glavni urednik)]. - god. 4 (1998), br. 16; str. 21-22
Impresum:Zagreb : Hrvatski društvo filmskih kritičara : Hrvatski državni arhiv - Hrvatska kinoteka : Hrvatski filmski savez (izvršni nakladnik)
Napomena:Tematski blok: Nikola Tanhofer (1926.-1998.)
Sažetak:Profession - war cameraman: The cameraman's profession harbors many dangers, and the war cameraman is particulary susceptible to them. In order to stay alive in such a dangerous profession and obtain good material, it is advisable to observe the following rules: 1. Being shooting only when there is something really interesting in your frame. 2. You should get as close as possible to the action. 3. You should begin recording with an establishing shot and only then should you concentrate oon the details. 4. Before moviing the camera you should shoot several seconds of stationary material. 5. War news is not a rock video so you should try to avoid zooming. 6. The beginning and end of the shot have to be filled woth unambiguous and interesting content whish should be joined with calm and precise movement. 7. As the rule, shooting with a telephoto lens can only be done correctly by usiing a tripped whish can be improvised by placing the camera on ahy other type of support. 8. Shooting from a moving vehicle will only be correct if the lens is set in its widest position. 9. When shooting while walking or running, it is better to walk or too run behind someone who is also walking or running in the foreground of the shoot. 10. One shouldn't be apprehensive about shooting in law light, at dawn of sunset of in the rain, since these shots will be rich with atmosphere. 11. When shooting in a closed space, te best place to shoot from is the entrance to the space. 12. Don't risk your life unnecessarily. There is no shot worth your life!
Ključne riječi:Tanhofer, Nikola--Život i djelo * Tanhofer, Nikola--Filmografija
UDK:791.44.071.5 * 791.44.071.1 Tanhofer, N.
Vrsta građe:Članak
Knjižnica:Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna
MFN:6711
3
ISSN:1330-7665
Autor:Tanhofer, Nikola
Naslov:Knjiga snimanja iz 1945. ili kako sam prvi put omirisao barut
Matična publikacija:Hrvatski filmski ljetopis = The Croatian cinema chronicle / [Hrvoje Turković (glavni urednik)]. - god. 4 (1998), br. 16; str. 3-20
Impresum:Zagreb : Hrvatski društvo filmskih kritičara : Hrvatski državni arhiv - Hrvatska kinoteka : Hrvatski filmski savez (izvršni nakladnik)
Napomena:Tematski blok: Nikola Tanhofer (1926.-1998.)
Sažetak:A nostalgic shooting script from 1945 of How I got my feet wet for the first time: the text is a nostalgic autobiographical recollection written for this magazie by distinguished univerity professor, director an cinematographer Nikola Tanhofer just before his death. In a refined literary style, the author presents us with the first day of his first professional location assignment - a propaganda film in a village near Zagreb. The event triggers - in the manner of cinematic flashbacks - scrapf of personal memories of his family, events from his childhood, his high school graduation, his "initiation" into the communist party, his first cinema-related job on the Film Boart (the first central cinematic organization in the newly established socialist state), and smoe of his memorable cinema-viewing experiences. Interspersed with these recollections of wvents are a series of vivid portraits of different people, among whom are important personalities of the Croatian cinema.
Ključne riječi:Tanhofer, Nikola--Život i djelo * Tanhofer, Nikola--Filmografija
UDK:791.43.026(497.5) + 791.44.071.1 Tanhofer, N.
Vrsta građe:Članak
Knjižnica:Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna
MFN:6710
1

Upit: UncontrolledTerms_swish=(Tanhofer, Nikola--Filmografija )

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